Frequently cited as one of the greatest books of the 20th
century, a book of great international acclaim, a book of satirical genius, a book...
that we have not read. Possessing only a vague understanding of the bemusing
catch-22 situation, we feared that this adaptation was going to be beyond us. However,
faced with such an atmospheric and impressive set we decided to forget all that
and let the madness rule.
The combination of an imposing set, colourful lighting, and versatile
cast, effectively creates a nightmare in wonderland, where logic is not truth
and paradox enslaves. Jitterbug dancing and fixed smiling faces wonderfully
convey the theme of madness and deepen the feeling of Yossarian’s
despair as the inescapable carousel of horror revolves.
The dialogue is snappy and the energy is consistent throughout.
However, the moments of high drama were lost on the audience as starting on
such high energy levels left the action nowhere to go. The women have thankless
roles, although Liz Kettle and Victoria Berwick showed great stage presence and
added to the dynamic gloriously.
Outstanding performances from David Webber as the likeable but
flaky Major and Michael Hodgson as the stark raving Colonel Cathcart really
made this show a success, adding humour and horror in equal measures.
Although set at the end of World War II, director Rachel Chavkin
inserts elements of the Vietnam war. Given the retrospective opinions of many
wars of the 20th century, these insertions serve to enhance the
message that this narrative of corruption, ambition and madness are relevant in
any setting of war.
Don't be put off from seeing this if you haven't read the book.
Chavkin has created a surreal and slick production that is well worth a look.
3/5
Lex Moon and Sophie Archer
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